Compiled by Gretel Matawan and Emmanuel Peni
This is an account of the 2017 Crocodile Prize Competition
The Voluntary Organising Committee (VOC) of the Annual 2017 Crocodile Prize Literature Competition in PNG is happy to announce that a successful year of literature competition has come to a close. We would like to thank all the sponsors and the public who have sincerely supported this competition.
There have been several queries on when the winners will be announced. The VOC is excited too to know about the winners. However, the winners will have to be administered through a lengthy process of judging and selection. Our Volunteers have put together the folders (9 altogether) of the entries. Below is the summary of the entrants and the entries for this year.
This is the 7th year of the Annual Literature Prize. This year the VOC received 245 entries from 87 Papua New Guinean writers and artists.
|The Table 1.0 shows that the majority of the writers are from NCD. The VOC did its best to use several media platforms to reach every PNG citizens. It is unfortunate that very few entries are coming in from outside of NCD. The Committee is looking at accepting written pieces on paper from remote places in 2018. Otherwise, the VOC will do its best to reach out to the people of PNG in 2018. Hopefully we get some entries from even those provinces not listed here: West Sepik, Southern Highlands, Hela, Western Highlands, New Ireland, Central and other PNG citizens living abroad. We have an entry from Fiji. We can confirm that it is from a Papua New Guinean citizen. We would like to also report that the entries from Gulf Province were from Kikori secondary schools after a visit by a member of the VOC in 2017. Our publicity and communications team have learnt a lot in promoting writing in the last two years of work in PNG. Literature spaces and activities in PNG have declined to a state of irrelevance. This is a tragic and frightening trend when considering Google and fb and Alibaba and more are fighting and in the process spending billions to get information from people around the world. When will Papua New Guineans wake up and write our own history, experiences and our aspirations? Why do we let outsiders do it from their reference point and own our stories?|
Table 1.0 shows the Provinces and the number of writers/artists who have sent in their literary piece(s).
|Provinces (Areas)||Number of Entrants|
|East New Britain||3|
|West New Britain||3|
|There are 8 categories showing here in which entries have been received for. Of these entries two other category winners will be selected from. These are: Emerging Young writer and Women in Writing. The figures in the table clearly show that poetry is the most preferred literary piece to be written and sent in at 53% of the total. It is exciting to see that short stories went over half a century. The VOC will work hard to help the writers/artists of PNG write or illustrate more our experiences, past and our dreams. It is unfortunate that Heritage writing continue to register low levels of entries. One can easily imagine anyone telling a tumbuna story (we have thousands) or describe a cultural experience.
Writing for children is one category; the Crocodile Prize is going to promote more in the next couple of months. We are interested to have more stories for our children so they become readers of our own journey.
VOC will be more available for Essay and Journalism category next year after the Crocodile Prize blog has been upgraded to Premium. There will be more interaction and discussions on the entry pieces sent in.
Table 2.0 shows the number of entries received for the categories in which prizes were secured for 2017.
|The 2017 Categories||Number of Entries|
|Essays and Journalism||26|
|FB & NBC Radio Comp||4|
|Writing for Children||13|
It is exciting to see that the 60% of the entries came from the economically active population of ages between 21 – 40 years (refer to Pie chart 1.0 below). It is unfortunate that the older population who would have had many experiences and culturally more rooted sent in less this year. It is presumed that those who have resigned or have their careers stalling (11% of the total entries) would find passion somewhere else and writing and illustrating could have been a healthier, productive and meaningful diversion.
|Chart 1.0 also gives a good indication on the members of the writing societies whom the VOC will target next year to promote, guide and support and engage in the literature competition. Even if they do not want to participate, their entries or submission can be used to add to the body of knowledge captured for generations to use to understand the evolution of the PNG cultural heritage.|
|Where to from here:
The process of identifying the winners will take two months. Firstly, the folders will be sent to those who will cull (select what can be judged) from whatever numbers down to 10 entries. The 10 entries will then be sent to the judges who will then select only the top 5 entries. The top 5 entries will lastly be sent to the sponsors who select the winner. We will announce the 5 shortlist at the end of January 2018. The winners will be announced at a Ceremony at the Grand Papua Hotel on the 10th February 2018. There will be an official gathering where the 2018 Crocodile Prize Competition will also be launched. Stay tuned for the announcements and the winners and the launching.
A burning question to discuss is the participation of women in PNG. Both 2016 and 2017, (under the leadership of Papua New Guineans) have proven beyond doubt the participation of women in writing has gained its foot hold. There are more women sending in entries (55 %) than men folks. The quality and diversity of the entries far outweigh that of men. Women were the youngest of the entrants and the oldest. Last year’s winner of the Paga Hill Foundation Writing for Children Category was a 14 year old girl from Bougainville. Females were more active in asking for information and following the rules and guidelines. The tides have turned and so there must be a category for Boys in writing and Men in writing.
The only issue encountered by the administrative team of the VOC was the lack of respect to the rules and procedures. One of the entrants sent in 23 entries altogether. Clearly this person did ignore the rules or did not bother to ask for clarification. Others continue to send in entries without the entry forms. This may sound like hard work to you as an entrant, but technology has made it so easy. One can literally take a snap shot of the entry from and inbox this through fb messenger or email it in picture format.
The VOC takes pride in our work in one tiny area of literature in PNG. What we are especially proud about is our process on identifying the winner. Our selection and judging process is very stringent. We want to instil integrity into the processes and give an opportunity for the public, sponsors, supporters and participants to believe that we have been transparent and accountable. We want to show and prove that we can be objective and manage wantok system, nepotism and any other possible foul play or conflict of interest.
Otherwise the VOC are privileged to be given the opportunity to lead the Crocodile Prize. The VOC would like to congratulate everyone on their efforts and wish everyone a success in their different endeavours.
|Port Moresby Arts Theatre||Best Short Play|
|PNG Chamber of Mines and Petroleum||Essays and Journalism|
|Haltmeier Family||FB & NBC Radio Comp|
|Cleland family||Heritage Writing|
|Yet to Announce||Illustrations|
|Kumul Petroleum Holdings Limited||Short Stories|
|Mineral Resources Development Corporations||Women in Writing|
|Library for all, Australia||Writing for Children|
The Interim Working Committee
Chairman: Emmanuel Peni, (Author, Director – People Centred OD Consult)
Deputy Chair: Joycelin Leahy (Blogger and Author, operating out of Brisbane, Australia)
Other member of the working Committee:
Ruth Moiam, Consultant (World Bank Communications)
Martyn Namorong, (Blogger, National Coordinator – EITI)
Baka Bina, (Supreme Courts – Human Resources)
Gretel Matawan, (Communications, Institute of National Affairs)